Amusia
!!
将把短裙拉长
!
深圳香蕉派
!
家比世界大
!
爱不需要理由，爱需要理由
!
至于聂鲁达的墓地，就在他故居旁边不远的地方，一处高起的小海角上。如同他的卧床一样，聂鲁达和夫人的墓地也朝向大海的方向。
!
港独在英建港，要大干一场
!
大成一隅，你我比邻，这是人与人之间最温暖的关系。可以是一声问候，也可以是临危
!
!
作战
!
日本防卫大臣：外星人从未入侵日本
!
一个包间配一个服务员，现在已经不可能了
!
广州政务网治理僵尸，有几多
!
陈赫不见了，出了狱的张子萱老公该怎么办？
身为中国人的你，受到启发了没有？有没有建一个最好中文名网站的
!
牙痛与乡愁
!
three performances that examine voice as an instrument and vibration source
- 1. Dada Wu, Sound Poetry, Untitled
- 2. Xuan Ye & Dada Wu, Voice Improvisation
- 3. Xuan Ye & Dada Wu, Sound Performance, Embed Great Sound of Poetry *plastic bags, newspaper (Southern Metropolis Daily issued on April 3, 2015)
1. I can’t sing because I can’t sing in tune. I am officially tone-deaf. Amusia. I am a person who has lost the ability to sing. If you define singing as producing melodies, I think of it as a collision of words and phrases.
2. I listen to music, all kinds of music and sounds. I need to throw up. I learn languages – all kinds of phonetics/all kinds of frictions between lips and teeth/all kinds of articulations. I need to puke.
3. I needed an exit from my present life or to just chisel a hole through it. It’s like when you get hit by shit out without any reason and you gotta ask “why?”.
4. The audience is the flesh. I need flesh.
5. Sound poetry, sound poetry, sound poetry.
6. Emotional reasonless; Meaningless sentimental.
Voice is pre-language. Voice existed before all semiotic systems. Voice inherits the history of human civilization. Voice is representative of power. “Voice or not” and the materialities of voices signify cultural and political meanings. As Roland Barthes concludes in the Grain of Voice (1981), “voice is in a dual posture, a dual production of language and of music”. From a relatively micro point of view, voice is the most original instrument that functions as a direct source of vibration and meanwhile reacts to the Body (oral/nasal/head/thoracic/abdominal cavity) namely the Subject to form into resonance within, furthermore, as oneself. In accordance with this knowledge, I try to free the natural voice from habitual patterns that are generated from our restrained mechanism of vocal production – from traditional vocal music, extended techniques, phonetic texts to any sonic output; in the form of mimicry to the nature and the modern soundscapes, and the medium to channel consciousness to presence. Let sound waves laden with the breathe circulate within the Body, to induce physical commotion and be in harmony inside and out with the environment.